sometimes

feministwerewolf:

ferocodile:

cultural genocide in North America

This, this right here, this is why “white people” cannot wear our things, cannot appropriate our customs or languages.  Because y’all did this.  y’all continue to do this too.

feministwerewolf:

ferocodile:

cultural genocide in North America

This, this right here, this is why “white people” cannot wear our things, cannot appropriate our customs or languages.  Because y’all did this.  y’all continue to do this too.

(via grrlyman)

I’m still waiting to make the best summer of my life happen… 

Things that might seem outdated for popular feminism may actually be points of pride for women who have historically been denied access to a certain mode of femininity. If you are a member of a group of women that has been constantly caricatured as mammies and welfare queens, sexually pathologized, and whose inequity has been attributed to broken, abnormal, and matriarchal family structures, then bearing the title of Mrs. and taking your husband’s last name can actually be displays of resistance. If you have grown up seeing constant media reports on the fatherlessness of Black children and the unmarriageability of Black women, then having your father walk you down the aisle and flashing your ring can both be points of pride.

tumifromjoburg:

Five minutes into this locally produced Shanghai film and I’m already like; yes, yes, YES! And I love how the completely uncomfortable laowai is an ABC - American Born Chinese - and that he is so typical of overpaid foreign executives coming to live in China. Dude is talking to his relocation specialist and he’s like; “excuse me, I’m from New York, I had a really good life there…” And in he walks into a dope ass fancy Shanghai apartment which is probably 5x bigger than the NYC closet he was previously holed up in…his jaw drops to the floor…game over. Until you get to the laowai that’s sickly infatuated with the orientalised idea of Asian women (they call it yellow fever). I KNOW ALL OF THESE PEOPLE.

tumifromjoburg:

Five minutes into this locally produced Shanghai film and I’m already like; yes, yes, YES! And I love how the completely uncomfortable laowai is an ABC - American Born Chinese - and that he is so typical of overpaid foreign executives coming to live in China. Dude is talking to his relocation specialist and he’s like; “excuse me, I’m from New York, I had a really good life there…” And in he walks into a dope ass fancy Shanghai apartment which is probably 5x bigger than the NYC closet he was previously holed up in…his jaw drops to the floor…game over. Until you get to the laowai that’s sickly infatuated with the orientalised idea of Asian women (they call it yellow fever). I KNOW ALL OF THESE PEOPLE.

(via thefemaletyrant)

reportagebygettyimages:


‘This is not the profession for someone who enjoys a routine. Truth be told some days are quite boring. Other days are amazing. Some days are filled with love. A few are terrifying and a significant number are mired in sadness, or tragedy. Some days are like a dream where you feel extremely lucky to be doing what you love. This job exposes one to the entire range of our humanity.’

Mario Tama discusses the daily experience of photojournalist, how he preps for an assignment, and the one story that he feels most connected to. Also, why he sometimes steps out of the digital world to tell stories using a tiny film camera. Read more on Lomography

reportagebygettyimages:

‘This is not the profession for someone who enjoys a routine. Truth be told some days are quite boring. Other days are amazing. Some days are filled with love. A few are terrifying and a significant number are mired in sadness, or tragedy. Some days are like a dream where you feel extremely lucky to be doing what you love. This job exposes one to the entire range of our humanity.’

Mario Tama discusses the daily experience of photojournalist, how he preps for an assignment, and the one story that he feels most connected to. Also, why he sometimes steps out of the digital world to tell stories using a tiny film camera. Read more on Lomography

(via fotojournalismus)

lostcitycomics:

deflare:

teal-deer:

legacy-blog:

tsisqua:

thiefoworld:

Cihuamiztontli by =SaiyaGina

I love the inclusion of modern technology into the scene. It’s wonderful.

Yes, this is exactly what I’m trying to do with secret project number one.
Yes, perfect. Good.


sudden flashbacks to Everworld 

This is a thing that I’ve been dwelling on: the alternative development of aesthetics.
The short and sweet version is that we tend to associate certain patterns of clothing, decoration, and ritual with different kinds of behavior. It’s a worldwide thing, and mostly unconscious. Men around the world wear European suits when they’re doing business, unless they have a particular reason not to. Facial tattoos are for ‘primitive’ tribes and members of Western countercultures. Essentially the same furniture and building styles are seen throughout the wealthy parts of the world, and showing the different methods used by other cultures is meant to show how primitive they are.
This is all, of course, horseshit. Art, fashion, motifs—they’re all just the window-dressing of a culture, and say little about how advanced or worthwhile it is. The prevalence of European styles in architecture and clothing isn’t because they’re just better than the rest of the world’s styles, it’s because European culturally brutalized the rest of the world and other cultures had to change to blend in.
What if things had turned out differently? What if some culture had stood as another example of what could be? What if more and more advanced technology had been molded into those alternate aesthetics? What might the world have seen?
(Slightly tangentally: This is why I’m okay with Zecora in MLP. Her aesthetic is indicative that there are cultures in that world that haven’t been homogenized by imperialism. That seems like an excellent thing.)

(Good) Mesoamerican-themed art always gets reposted.

lostcitycomics:

deflare:

teal-deer:

legacy-blog:

tsisqua:

thiefoworld:

Cihuamiztontli by =SaiyaGina

I love the inclusion of modern technology into the scene. It’s wonderful.

Yes, this is exactly what I’m trying to do with secret project number one.

Yes, perfect. Good.

sudden flashbacks to Everworld 

This is a thing that I’ve been dwelling on: the alternative development of aesthetics.

The short and sweet version is that we tend to associate certain patterns of clothing, decoration, and ritual with different kinds of behavior. It’s a worldwide thing, and mostly unconscious. Men around the world wear European suits when they’re doing business, unless they have a particular reason not to. Facial tattoos are for ‘primitive’ tribes and members of Western countercultures. Essentially the same furniture and building styles are seen throughout the wealthy parts of the world, and showing the different methods used by other cultures is meant to show how primitive they are.

This is all, of course, horseshit. Art, fashion, motifs—they’re all just the window-dressing of a culture, and say little about how advanced or worthwhile it is. The prevalence of European styles in architecture and clothing isn’t because they’re just better than the rest of the world’s styles, it’s because European culturally brutalized the rest of the world and other cultures had to change to blend in.

What if things had turned out differently? What if some culture had stood as another example of what could be? What if more and more advanced technology had been molded into those alternate aesthetics? What might the world have seen?

(Slightly tangentally: This is why I’m okay with Zecora in MLP. Her aesthetic is indicative that there are cultures in that world that haven’t been homogenized by imperialism. That seems like an excellent thing.)

(Good) Mesoamerican-themed art always gets reposted.

(Source: digitallydelicious, via moniquill)

No Orders at the Window: Unsolicited Life Stories: theslavbarbarian: fadingroots: cypresssunn: time to talk about...

theslavbarbarian:

fadingroots:

cypresssunn:

time to talk about daenerys and why she’s fucking up again.

the fun part about the etymology of westeros and essos is that no one can deny that they are being likened and structured after the real western and eastern worlds. the essosi societies are representative of eastern socities. and westeros, including daenerys targaryen, are stand ins for the western world. because of this, the two continents are coded for a multitude of western and eastern societies, as well as their independent and intertwined histories.

in the real life western world, eastern people are perceived as stagnant and backward. they are regarded as undeveloped economically, technologically, and most importantly moralistically. and at the same time, the west has always perceived itself has been that of modernized, morally dynamic, evolving. since it hardly ever lends this kind of consideration to the ‘others’ in the east, it positions itself on a pedestal from which it can dictate the goings-on in the world.

and so, white and western societies hold the idea that brown societies are incapable of change without outside, corrective influences. this has been used to excuse and validate colonialism and imperialism for centuries.

these real world crimes are relfected in the game of thrones canon. the essosi societies are coded as being backward. they are being coded as monstrous and without any other characteristic aside from slaveholding. and this is how daenerys excuses her own violent imperialism.

now let’s have a canon history lesson! the continent of westeros used to have slaves. but it was not it a hostile outside force that came in an eradicated the evils of slavery. these societies were not burned to the ground depending on their willingness to bend to an outsiders command. none of these countries were callously set back years and years in development because someone decided they had not advanced enough.

no, what got rid of slavery in westeros was the moral progression of it’s peoples, and the eventual criminalization of the institution. and what will get rid of slavery in the free cities will be similar societal progression. because believe it or not, all societies are capable of progression.

but of course, treating brown people and brown societies like multifaceted and complexly developing isn’t at all interesting. not when we can all cheer and coo over an empowered and entitled white woman exerting her power of all of these brown ‘others’.

all of this is great and fantastic and accurate

but wow am i the only one who always saw Essos as being much more advanced than Westeros? I mean the whole slaves thing isn’t cool, but

All the best trade goods come from Essos, all the finest foods and wines and silks and steel. Essos is dotted with magnificent, wealthy, powerful citystates; Westeros has three or four cities, a few more squalid towns, and a bunch of ancient, largely crumbling, forts. Essos is home of the arts, of culture, of learning; Westeros is too busy killing themselves every few decades, living in squalor, and at the end of the day, the feudal system honestly reduces the peasants/serfs to little more than slaves. Just because they aren’t chattel slaves, aren’t property, doesn’t keep local lords from having almost total control over their lives, and subjecting them to violence when they fail to comply.

I spent a while the other night explaining to a friend how fucked up the orientalism and exotification in ASoIaF and GoT, i’m not trying to deny any of that by any means

i just always read westeros as backwards and poor, and essos as more advanced and more wealthy? is that just me?

same

(via moniquill)

fuck yeah, hard femme!: fuckyeahcracker: Effects Of Thinking White People Are “All Like...

fuckyeahcracker:

Effects Of Thinking White People Are “All Like That”:

  • Literally nothing other than white people having their feelings hurt on the internet
  • I’m not joking there is no real world consequence of this

Effects Of Thinking People of Color Are “All Like That”:

But yeah, white people’s feelings :*(

(via pictures-and-love-lost)